Posted in Poetry

if distances were not as long as dark, lonely nights: a duet

 

By Susan Daniels and Noel Ihebuzor

Noel:  If distances were not as long as dark lonely nights

Susan:  The callous earth sees to it
that even our nights and days
oppose one another;
but, let us ignore laws of geography and physics
for this moment, and meet.

Noel:  If feet could leap distances
ferried and nourished by fertile faith
if minds could travel long distances to their longings

Susan:  Then I would fly to you, heedless of gravity, and mocking it;
the sky, neither night or day where we would answer each other
would blush, rivaling the colors of dawn, or of sunset,  at our defiance
of the order of things, our audacity.

Noel:  If mind, soul and body could paddle silvery
in soft warm lagoons
in canoes invisible to the uninitiated

Susan:  Only light the way for us to find each other

Noel:  If the journey of exploration
was a journey into the deep self
one of discovery and recovery

Susan:  We would range farther
than the resonance of dream language,
sparks dancing past matter,
to a place where twin flames
recognize one other
and blend.

Noel:  Would these harsh beginnings
not signal new becomings
and perfection end points

if only we
you and I could kill present addiction
to birth a future full that whispers and beckons
if, if you could, if we could

Susan:  We would,
and in our waking walk together
generate something live
from these whispered ifs;
a pale hope, and fragile
unfurls into full-blown being;
yes, hope can dream and bring forth joy
as it breaks and buries bitterness.

Noel:  If we could reach within ,
to find that lock to unlock a door
that holds us prisoners,
bound and shackled,
then we would unlock us
this us that currently
glides and drifts, inviting,
suggesting

Susan:  Only unchain us,
that we might taste
even a tenth of what tempts us
into crossing these lines
of time, of space,
of who we are now
and who we could become.

 

***All I am going to say about this is wow, we did good duet, Susan!  Can’t think of anything else to add that wasn’t said above – well except, powerful!

Posted in Poetry

A Song for Mother and child – on MMR & CMR!

At term, he took Ugonma in,

the taxi had rattled, creaked, bounced

and chugged on the dirt road, all the way

to the maternity

 

A midwife, looking fazed in her faded uniform

walked Ugonma

feet and lips swollen,

screaming in pain, water breaking,

into the labour room

every dragging step slow,

laboured  and painful

 

A wait long and weighty like eternity,

and then a delivery attendant,

her face the picture of nonchalance,

eventually shuffled out of the labour room

to thrust roughly  into his trembling hands

a list of  items required

for the delivery.

 

 

The Okada rider, his machine idling,

spotted Obi as he hurried out from the maternity

signing and screaming

“chemist shop”, yes, “chemist”

the rider on sensing his desperation

doubled his fare, cursing the country,

swerving and swearing as he rode.

.

Places and people flew by and past on that mad rush

to the chemist shop, an airless suffocating place

running over in dirt and disorder

where a a dishevelled male plied a messy trade.

 

Items purchased,

Obi rushed back to the maternity,

straining his ears, lips moving in silent prayers

his hands trembling,

items handed over with haste

the attendant checking with  indifference and

troubling sluggishness, and then shuffling back

into the delivery room with the items.

Obi waited outside, counting the minutes,

the seconds as long as hours and twice as slow ,

his heart pounding,

fatherhood within reach at last ,

after seven heavy years of wearying waiting

 

Totally immersed in imagining what must be going on inside,

waiting for the beautiful moment, oblivious to everything else

vaguely aware of when his mother and Ugonma’s mum arrived

and how they both laughed at his fretting and fidgeting

assuring him that all will be well

saying that “God never sleeps”

 

 

He saw the midwife as she came out,

her apron all blood and stains

saw her signal the two women to follow her

and now alone, he dreaded his loneliness

soon he thought he heard a wail

that came from the soul, the wail of one broken

They brought the baby to show him,

looking so small,  fragile and delicate

and when he asked after Ugonma

Her mum,  her voice brave, but broken by pain

yet tinged with pride said

“Ugonma has left this world, “uwa nsi”, she spat out

“a woman at last,

to the shame of those gossiping tongues

who had chattered that she was a “male””

God gives and God takes, she said

and when Obi said “why, Ogom nwanyi, why”, she replied

“a man can never wrestle with his god, his personal chi

nor challenge the decision of God”

His groan was deep and heart rending

his voice saying slowly, chilled  numb

“This death cannot be a decision of God,

we wrong God when we blame Him for our failures

as humans”

 

“Chim, sudden total darkness has fallen on my life at high noon,

a driving torrential downpour has caught me in the middle of nowhere,

blinding me, my path has now become a thicket of dense inpenetrable prickly shrubs”

 

he cried and sang, inconsolable, lost and broken

His mum laid her hands on him and said slowly

“a woman who can do this,

who can abandon a new born at the moment of birth

must be an “Ogbanje””

and his look of pain, rage and disgust froze her.

 

He called the baby Chiwetalu (Brought by God)

and at night when Chiwetalu screamed from hunger

when Chiwetalu cried,

troubled by gripe and colic from formula milk

his heart bled, he cried and held her

and rememered Ugonma and still asked her why

even though his age mates had warned him not to,

had advised him to reject any advances from her

if she walked into his dreams from the land of dead

They had advised him to wear two tight underwears to bed

as she may return to seduce him

and then tear off his manhood

since they all knew how much she loved him in life.

 

In Obi’s mother’s village,

an unmarried teenage girl had lost her  baby

to fever and diarrhoea

one month after delivery,

 

a girl lost,  Nwadiuto

who had now lost virtually everything

– her baby

– her innocence in a moment of madness,

– her schooling as she was expelled from school

once her pregnancy was noticed

– and the support of parents

who had thrown her out for disgracing them.

 

Her mother’s village proved to be her sanctuary

there they welcomed her, kind aunts helped her

manage her shame and the pains of pregnancy

 

Her mother frequently visited her there

whenever she thought her dad was not looking

(her tough and puritan dad saw all,

looked the other way, said nothing,

but silently thanked God that she did)

 

Now her chest full of grief and still sore from her loss

her breasts full, swollen and tender,

her life emptied of meaning and attachment

she agreed to nurse and breast feed Chiwetalu,

this life so fragile, so trusting

 

The hungry ruby lips needed some coaching and guiding

flesh and rubber feel and smell differently

but soon the hungry lips tugged and sucked at nipples

engorged, tender, touching her,

awakening her and flooding

her with images of her own child

who now sleeps forever

 

and Nwadiuto cries for him,

for a father he never knew and would never know

a man whose heat she had felt

but not his love nor his affection

regretting their brief interaction,

rushed and unfulfilling for her

 

She laments this and her loss

laments her parents

who further lost her

when they threw her out

when she felt most lost and needed them most

and occasionally when Chiwetalu cried from hunger

she would also think of his mother

that the hungry earth had claimed and swallowed

 

 

And from a distance,

heart still broken, but filled with gratitude to Nwadiuto,

Obi watches these two lives and surveys his

united by loss, by losses that could have been avoided

 

And he ponders how one life had in coming

taken another life,

how another young life had flown

emptied the life of a teenage mum

but leaving her full sorrow and milk

how that milk now bonded

two lives and a third

and His tears never cease to flow

from a mixture of missing, thanking and wishing.

 

*****First raw and rough cut of a song  that invaded me in its inchoate form, begging to trapped on paper. MMR and IMR are my targets here – and I now agree that overt didactism ruins creative writing. This shambolic song is one good example. OK, I pack it here for now and will come back to retouch it later, hopefully. Noel

Posted in Poetry

When the keyboard stammers – a poem on slips and errors

Keyboard sudden sodden with stammer,
sodden fingers leaking, pressure and pleasure on fingers,
hydaulics, control valves and bubbling words and thoughts,
energy, all tumbling,  fluid dynamics and sublimal flows stabilising
internal riots, ordered entropy
a benign judas like affliction announcing good standing

so when next the keyboard stammers,
say no buts, not butts, not misskates, not errors
but errands from within butting into and jotting out
to the without, shy

******A poem by Susan, a wonderful poet and my duet partner, on slips and errors when we engage others through the medium of the keyboard prompted this poem, a poem that is more of an incoherent stammer than a statement or a theory of slips  – As we all know, Freud has the last word on that topic! Susan, this song is for you!

Posted in Poetry

A song for the hanged

by Noel Ihebuzor
After and before the next hanging

The prospect of imminent hanging leaves no space for any hanging thoughts in the mind of the to be hanged

The rope swings in slow narrowing tiring circles
Stretched taut
under the weight of the stretched and twisted neck
The empty body dangles and swings,
emptied of dreams and desires,
Voided of life
an inert piece dangles at the end of the rope,
in tortured peace
silent and silenced, limp and swaying
The peace of the hanged,
all flesh and bones but no spirit
The peace in this place of reward and retribution
is broken by the oozing damp smell of fear
from the hanged in the last moments of surrender
and the stench of human waste
from the enlarging dark stain


In far away places,
the assured nods of the righteous mighty
celebrate the hanging justice
limping on a club-foot

Justice looks down at the hanging body,
dismissive, conscience assured,
any hanging doubt white washed
the broken body now forever blind to human justice,
its spirit now free surveys the hangman, the jury
the just and the strong, the clever and learned,
cocooned in their certainties
in an arena peopled by uncertainties
equations, assumptions, hazy and fuzzy


The bold gold pens in the heavily ringed hands
of the wigged and the learned indifferent
sketch clever curvy lines, circles and boxes
on the ever shifting fine sands of justice
in widening loops and areas
that will soon box in and entangle the feet of former allies
soon to be declared guilty
and soon to be consigned to the waiting rope,
soon the winds will wipe away the fine sketches in the sand
whilst an indifferent world looks on


Soon another old alliance will be dissolved,
a former thug is judged expendable
buried crimes exhumed with care,
entangling evidence amassed,
misdeeds recalled and retold in minutiae..
and another guilty is hurried away
to an encounter with ropes that stretch
and to the final stretcher

before, after and beyond the last,
the first and the next hanging,
let no tears be shed for the hanged,
the twisted neck
nor for the hanging world, justice stretched
rather let the ears of the world
be flooded with the song of blind bats and deaf owls

Posted in Poetry

A song for Santos

I would have played the sweetest of tunes then for you

but boils erupted all over the lips of my flute

and malicious termites mangled its delicate throat

 

Santos, the song I had hoped to play for you

must await another season when these sobs that clog and choke my  throat

these blocks that freeze my heart and voice

slowly clear up

 

in the season of waiting, dry and lean,

O very Santos,

Dimkpa asa,

only this pool of red tears is the voice of my song of sorrow.

 

Posted in Poetry

The long mile by Noel Ihebuzor – CMR

(on the pains of child mortality)

She walks with slow dignity
Feet as lead, soul as stone
auto-pilot, behind him on this long last mile
a dark strangling walk, unfitting end to a journey
that had commenced with songs and stars
a mother’s heart frozen cold, numb
as sorrow scorches and freezes her
all at once her to the core
of her being

No tears flow now
“He would not want me to cry in the public
Even though this mile I walk behind and with him
should be his to walk for me”

she dreads the end
the sight of another mother opening to receive and enfold him
the sound as shovelled in loose earth
draws the blinds forever

the tumbling sands drown her prayers
for the father’s bosom
to welcome this pilgrim
who returned too early

and as she prayed
the welled up tears, push down the barriers
of soul destroying composure
and cascade, the heaving sobs and wails from
a shattered mother
shattering the solemn calm of a painful goodbye

Posted in Poetry

The singing stream: A Duet

By Noel Ihebuzor and Susan Daniels

Susan:
How do I hold the strength
of this spring that sings
and streams;
waterfalls roaring against the shutter
that struggles to hold them in
and back, wrestles to dam them?

Noel:
What good is a spring,
if it simply wells inside
unseen, unfelt, untouched?

Susan:
Untapped and untasted
captive sweetness this strong
can nourish nothing;
only drown what holds it.

Noel:
Springs seek release
to leap and spring forth
surge to find release
(and release us)
to feed the parched earth
a destiny we call escape.

Susan:
In release what was hidden
silvers through sunlight,
a sung arrow that arcs
and returns to its source
softer now; to trace our skin
and the earth gently
with cool fingertips.

Noel:
The released waters unchain,
unbind and wash clean
and deep.
Voice fuses with vision
in the singing rainbowed fountain
defining potential, outpouring possibilities.

Susan:
An outpouring of this significance has a cost.
Within the core of this yes
that must be shouted
as it is brought forth
sleeps power that can shake the earth
and wear down mountains;
let it be heard,
let thunder be its echo,
let the sound carry
to your ears.

***What can I say, besides it is always a joy to write with Noel?  Because it very much is. (Susan)

**** To which I add that it is such a pleasure to lace and intertwine my voice with that of Susan who sings so well and with such distinctiveness of voice!

Posted in Poetry

Drinking and Breathing: A duet

 

By Noel Ihebuzor and Susan L. Daniels

Noel:
Throats, though they may parch, never rust,
wells never really run dry,
below the dry beds arteries of spring,
sleep, rustle and wait to sing
all wait the call of the season,
the internal stirring,
the stimulus outside, a connection
then the dam bursts
subterranean waters surge forward
liberate the messenger, the medium
the surging song both release and reward,
reward for the seed carried and faith kept.

Susan:
If inspiration is a spring filling our wells
with new sweetness, let us drink from them.
Let words somersault and cartwheel from us
frolicking, yes, let them play;
but swift and dangerous as the rapids of Niagara;
and, like Niagara, let these songs pour into us
and through us, and from us
with the strength of one great lake
falling into another, heedless of the drop.

Any song that rises from a seed nourished from waters like these,
and tended by our constant certainty
should flower quickly into being, unfiltered and joyous.

Noel:
If sleep is a fallow period, then let us lay still
ideas steal and sneak past our shut eyelids
meander into our beings
waltz with ideas and songs that sleep within us, unknown, such that
rising to a new day, wakes them up
Let us hope that rising will raise the shutters
open awakenings,
awaken seeds that lie drowsy
drugged with sleep
ideas with roots groping for soil,
waiting for space to  dance
A place to anchor,
anchor to grow and glow,
DNA of growth
etched indelibly in the seed,
even in dormancy,
and soon in time and with time
the seed sprouts
hungry groping roots push into
the unbonding receptacle of mother earth,
nourishing, warming,
causing a stem to elongate,
a trunk warms up,
walks on the invisible staircase of the air
weaves its way upwards, skywards, proud
reaching out to embrace the open skies,
flowers singing beautiful and soon to seed again
and scatter new seeds,
which though silent now
will one day each burst
to announce a new season of planting,
of birth, of becoming after a season of rest
a hibernation that worries but which
restores, refreshes and renews
in the creator’s creative cycle of creativity.

Susan:
After dreaming, my eyelids open to flesh resounding
like a clapped bell calling the hour, my mouth opening eagerly
to incorporate air to feed the fire singing in blood, in bones;
that first deep-drawn breath before our song rises
from the belly, past lips and takes flight.

We call this process of writing inspiration,
but it is the art of both taking in
and pouring out.  Let us call this cycle waiting within us
and moving through us simply breathing; incorporation
and expression too closely linked
to ever separate.

******/co creating with Susan and weaving our voices to sing of dormancy and creativity, a beautiful experience for which I owe Susan one more dinner!
Posted in Poetry

A long song for the boy who waits for mama – on MMR

He sits and counts the days and the hours

mama has been away to the market

for seven market weeks now

and they all say that this market she went to

is located in some very far away place

and he tells himself that he will ask her

why she did not wake him the morning she left

to go to this far market to say good bye

He had woken up to learn she left for the market very early

at that time of day when the dew and damp still hold lizards by their tails

and slows down their running,

he imagined that she must have left at that time of the slowly approaching morning when night spirits

are hurrying back to their abodes

before their sworn enemy the sun catches

them out and abroad

and so he waits and asks

“when will mama return from the market

other children’s mothers come back and go again

and I sit, waiting for mine, mine who will not come back

mama, when will you return from this market”

And he wished she would come back

he prayed to Chineke and to his personal chi

to hasten her return

so that he could tell her

how everybody had been so nice to him lately

and how papa no longer scolded him

how nda Uzoemena had come and taken

him to mama’s maternal village four days

after mama had gone to the market

and he had stayed two days

he would tell her of all the woman who hugged him

all saying Nwam-oo

and the nice meals they all competed to cook and bring for him

and Nne, his grandmother who held and hugged him,

and the hushed whispers of the women when he was there

and how he thought Nne cried the day he arrived

and how when he asked why

she was said it was from joy of seeing him,

him, son of her only daughter Nwabuaku

He would tell her when she came back

that once or twice in the night

he heard papa sobbing

when papa thought he was asleep

and he smiled as

he imagined how mama would then tease papa,

papa who always said men do not cry

yes, there was a lot he would tell her

how nda Nneka now came over to cook for papa and him

in the evenings and would stay to chat with them afterwards

how her onubu soup tasted more bitter than hers

and how he had resisted the first time she tried to bathe him

a boy of four was a man he prpoudly told her

and needed his privacy

he would tell how he overheard nda Uchechi and nda Onyemauche

discussing the other day

and one of them, he couldn’t remember which one of them,

saying that papa

would need another woman to look after the house, and how

they said Auntie Chimaoge would be perfect for the role

and he wondered why, but he would ask mama

and he knew she would smile softly and shyly and explain

as she always does

and he still sits and waits, missing her with each day that passess

not knowing when she will come back,

very sure she would come home

but telling himself that he would not tell her any of these stories

until she had given him the ripe udala, the akara and yes, the utara ukwa

she would have bought for him from the market,

and then he would hug her and hold her

and ask her to never ever leave him lonely for this long again .

Posted in Poetry

A song on impotent promises – for the rain doctor

 by Noel Ihebuzor

 

The rain doctor shelters under the leaking roof

away from the taunts of the raging rains

 

The rain washes his impotent incantations

together with the tears of shame that trickle down his cheeks

 

He looks up to the heavy skies

and rains sterile chants up to them

as the dark bellies of the of the pregnant sky rumble

and open to unleash volleys and rushes of rain

 

the rain doctor incants as he prances,

He mumbles as his teeth chatter in the drenching driving rain

His frail frame trembles with each rumble of the pregnant sky,

with each gross peal of laughter of the insolent sky

with each flash of lighting

 

The disobedient rains have undone the rain doctor

 

His client swells with despair,

roves, raves, rages, trembles and mumbles

drenched in a mixture of sweat and rain

He apologises to his guests

 approaches the rain doctor

with clenched fists and death in his eyes

The rain doctor backs away,

still searching his armory

for the appropriate herbs, chant and gesture

to control or appease the raging elements

 

Once reassured guests now huddle together tightly packed,

jam packed like generous hampers,

like passengers in Oshodi-bound molues

squeezing into every little corner and

spilling out and over into the veranda

where bold and exploratory pools from the rain slip in gently, and

gradually inch onto and edge onto poor toes, to un-shoed feet,

forcing these to inch backwards

 

Crowded and cramped in their places of shelter

Tempers shorten, hisses begin and lengthen

And soon the protests, the jostles as

perfumes contend in conflict,

as sweating sets in, slowly but steadily,

as make-ups begin their break-ups,

tempers grow shorter as the down pour lengthens

 

The empty canopies are now peopled by enlarging pools

The band leader and his troupe seek refuge in one canopy

Bravely holding down the tarpaulins

to protect their instruments …

not knowing who to blame

the rain or the rain doctor

and his failed assurances

 

All available eyes search for the rain doctor

Eyes have become pointed barbed arrows

sharp daggers and deep cutting swords

the rain doctor seeing these

and reading their unspoken intentions,

backs away, out of his sheltering leaking roof

backs away and away into the driving arms

of the tropical torrential rain

 

 

Frustration hangs heavy as a wetness on a drenched hen

threatening to run over as the huge pools on some of the canopies

The rain doctor secretly prays for the rains to stop

or for the earth to open and receive him.

 

 

Images now invade his now tortured mind….

Discordant, strident, fluid….

  

The boastful male of acclaimed virility, the long concealed and denied empty bags

husband of many wives and father of many

now finds himself in a harem

and nothing stirs, bags empty, no quiver

he shivers with shame

secrets on impotence are best traded in private markets

as subdued whispers, not in public spaces

 

The skies are now open, that which was hid is now open,

The revelation flies from mouth to ear, from ear to mouth,

willing lips and agile tongues twist, turn

and embellish that which is now revealed

 

The rain doctor sees these images,

In vain he struggles to shelter from the streams of truth,

but the rains drench him and reveal his impotence and he stands,

staggered, dazed and impotent to stop this revelation

of his powerlessness, his irrelevance and the many years

of his fake and sterile promises