Posted in Basic Education, Poetry, Prose

Towards a Risk-Informed and Sensitive-Interpretative Approach to Literature Pedagogy at the Secondary School level in Nigeria

By Noel A. Ihebuzor

Abstract

The teaching of literature has long occupied a central place in secondary education because of its perceived contributions to language development, critical thinking, moral formation, emotional growth, and cultural understanding. In Nigeria, Literature-in-English remains a significant component of the secondary school curriculum and an important subject in public examinations. Much of the scholarly literature emphasizes these benefits and generally presents literature as an unqualified educational good. This article argues that such a perspective is incomplete. While literature offers substantial cognitive, linguistic, social, and ethical benefits, it may also expose learners to a range of pedagogical and ideological risks. Drawing on examples from African and Nigerian literary texts, the article examines concerns relating to age-inappropriate sexuality, violence, ideological influence, authorial bias, historical inaccuracies, racism, sexism, and gender-based violence. It argues for a shift from a purely celebratory understanding of literature teaching towards a risk-aware pedagogical framework that incorporates risk identification, mitigation strategies, and cost-benefit analysis. The article concludes that literature remains indispensable to holistic education but that its educational benefits can only be fully realized when teachers, curriculum developers, and policymakers consciously manage its potential risks.

Introduction

Literature occupies a distinctive position within secondary education because it combines linguistic, cultural, emotional, and intellectual learning in ways that few other school subjects can achieve. In Nigeria, Literature-in-English has traditionally been regarded as an important instrument for developing language proficiency, cultural awareness, creativity, and critical thinking. Through prescribed texts, students encounter diverse cultures, historical experiences, moral dilemmas, and social realities that contribute to their intellectual and personal development.

The educational value of literature has therefore been widely acknowledged by curriculum developers, teachers, examination bodies, and researchers. Literature is frequently presented as a means of nurturing empathy, promoting ethical reflection, enriching language skills, and fostering civic consciousness. Yet despite this broad consensus regarding its benefits, comparatively little attention has been paid to the risks and challenges associated with teaching literature to adolescents, particularly within developing-country contexts.

This omission is significant because literature is not merely a neutral repository of stories. Literary texts convey values, ideologies, historical interpretations, cultural assumptions, and models of human behaviour. Their influence may be positive, but it may also be problematic. Texts can normalize violence, reinforce stereotypes, present controversial ideological positions, or expose learners to themes for which they may not be developmentally prepared. Consequently, the teaching of literature should be approached not only as an educational opportunity but also as a pedagogical responsibility requiring careful management.

This article seeks to balance the dominant discourse on the benefits of literature with a critical examination of its risks. It argues that literature teaching should incorporate systematic processes of risk identification, risk mitigation, and cost-benefit analysis in order to maximize educational gains while minimizing potential harms.

The Educational Value of Literature

The case for literature teaching remains compelling. One of its most widely recognized contributions lies in the development of cognitive and linguistic abilities. Literary texts challenge students to interpret meanings, draw inferences, evaluate perspectives, and engage in imaginative thinking. Through exposure to rich and varied language, learners expand their vocabulary, improve reading comprehension, and develop sophisticated communication skills.

Beyond cognitive development, literature serves as an important vehicle for moral and ethical reflection. Literary narratives frequently present complex situations involving justice, responsibility, loyalty, courage, and integrity. Such encounters provide opportunities for learners to reflect on ethical questions and examine competing value systems.

Literature also contributes significantly to emotional and social development. Through engagement with fictional characters and situations, learners are exposed to diverse human experiences and perspectives. This process can cultivate empathy, emotional intelligence, and greater understanding of social relationships. Related concepts such as bibliotherapy and socio-emotional learning further highlight the capacity of literature to support personal growth and psychological development.

The cultural dimension of literature is equally important. Literary texts provide insights into societies, traditions, histories, and worldviews that may differ from those of the reader. In multicultural and postcolonial societies such as Nigeria, literature can strengthen cultural identity while simultaneously fostering intercultural understanding and tolerance.

Taken together, these contributions position literature as a valuable component of holistic education and as an important contributor to the development of creativity, critical citizenship, and twenty-first-century competencies.

From Educational Benefits to Pedagogical Responsibilities

The very qualities that make literature educationally powerful also make it potentially risky. Because literature engages emotions, shapes perceptions, and influences values, it possesses the capacity to affect learners in profound ways. Consequently, literature teaching should be regarded as a high-stakes pedagogical practice requiring careful planning and professional judgment.

Insights from reader-response theory, critical literacy, developmental psychology, and media-effects research suggest that readers do not encounter texts passively. Students actively construct meanings from what they read, yet those meanings are influenced by their developmental stage, social environment, prior experiences, and classroom context. These considerations underscore the need for a pedagogical framework that acknowledges both the benefits and the risks of literary engagement.

A useful way of conceptualizing this challenge is through the language of risk assessment and cost-benefit analysis. Such approaches are widely used in educational policy and curriculum development but have rarely been applied systematically to literature teaching. A risk-aware approach does not seek to censor literature; rather, it seeks to ensure that potentially problematic content is identified, contextualized, and addressed responsibly.

Risks in the Teaching of Literature

One important concern relates to age-inappropriate content and precocious sexuality. Adolescents are at a critical stage of psychological and social development, and exposure to explicit sexual themes may present challenges depending on learners’ age, maturity, and context. Texts such as “Mission to Kala” and some contemporary African fiction contain representations of sexuality and adult relationships that require careful mediation. There is a rich harvest of such in Chimamanda Ngozi Adichie’s creative writings. Texts as “The Thing Around Your Neck” (– especially stories in it like the shivering, and The Arrangers of marriage,) “Americanah”, and “Dream Count” are replete with narratives of sexual encounters and content.  Without appropriate pedagogical guidance, such content may contribute to confusion, normalization of precocious sexual behaviour, or emotional discomfort among vulnerable learners.

Another concern involves the representation of violence and the ways in which literary texts sometimes present simplistic solutions to complex social problems. Works depicting revenge, vigilantism, or violent conflict may unintentionally reinforce problematic behavioural scripts if learners are not encouraged to interrogate the ethical dimensions of such actions. In some narratives, the handling of the problem of revenge can be very problematic. “The Passport of Mallam Ilia” by Cyprian Ekwnsi illustrates this amply, as the protagonist exacts physical revenge but suffers both physical and moral loss in the end. In some cases, social injustices appear to be resolved by eliminating an oppressor (as in the case of a very aggressive and overbearing father in “The Purple Hibiscus”) rather than through dialogue, institutional reform, or restorative processes. Such portrayals require critical classroom discussion to prevent simplistic moral conclusions.

Literature may also function as a carrier of ideology. Every literary text embodies particular assumptions about society, power, economics, religion, or politics. While exposure to diverse viewpoints is educationally valuable, there is a risk that students may uncritically internalize ideological positions if alternative perspectives are not presented. Texts that strongly reflect Marxist (see Sembene Ousmane’s God’s Bits of Wood” for example), nationalist, capitalist, or religious worldviews should therefore be taught within frameworks that encourage critical pluralism rather than ideological conformity.

Related concerns arise from authorial bias. Literary works, memoirs, and autobiographical narratives often reflect the experiences and perspectives of their authors. Achebe’s There was a Country” and Adichie’s “Half of a Yellow Sun” are good illustrations of such texts. While such perspectives can provide valuable insights, they may also present partial or contested interpretations of historical events. Learners who encounter only one narrative may develop incomplete understandings of complex social realities.

Historical fiction presents a further challenge because it occupies the boundary between imagination and historical representation. Powerful novels may shape students’ understanding of national history more effectively than history textbooks. Yet literary narratives often simplify, dramatize, or reinterpret historical events. Unless teachers explicitly distinguish between historical fact and artistic interpretation, learners may develop inaccurate understandings of important historical episodes.

The persistence of racism, sexism, patriarchy, and gender-based violence in some literary texts also warrants attention. Literary representations may reproduce stereotypes, normalize discrimination, or reinforce harmful social assumptions. Okot B’Tek’s “Song of Lawino” and Mariama Bah’s “So long a letter” are interesting to read, but these two texts can be said to contain ideologically motivated simplifications. While such texts can provide valuable opportunities for critical discussion, their educational value depends largely on the teacher’s ability to facilitate thoughtful analysis rather than passive acceptance.

Towards a Risk-Aware and Sensitive-Interpretative Literature Pedagogy

Recognizing these risks does not diminish the value of literature. Rather, it highlights the need for more sophisticated approaches to teaching. A risk-aware literature pedagogy begins with careful text selection and curriculum design. Texts should be evaluated not only for their literary merit but also for their developmental appropriateness, ideological complexity, representations of violence, and ethical implications.

Within the classroom, critical literacy approaches provide an effective means of managing risk. Students should be encouraged to question texts, identify assumptions, examine biases, and consider alternative interpretations. Literature teaching should move beyond admiration of authors and texts towards critical engagement with ideas and representations.

Sensitive topics such as sexuality, violence, and ideological conflict require careful framing before reading and thoughtful debriefing afterwards. Guided discussions, reflective writing activities, and structured classroom dialogue can help learners process difficult content constructively.

Multi-perspectival teaching offers another valuable strategy. Historical novels can be paired with historical documents; ideological texts can be complemented by alternative viewpoints; literary representations can be compared with empirical evidence. Such approaches help learners appreciate complexity and avoid simplistic conclusions.

Teacher preparation is equally important. Literature teachers require training not only in literary analysis but also in adolescent psychology, ethics of representation, critical literacy, and the facilitation of controversial issues. Professional development programmes should therefore equip teachers with the knowledge and skills needed to manage sensitive content responsibly.

A broader support system involving parents, counsellors, examination bodies, and policymakers can further strengthen risk management efforts. Clear guidelines concerning sensitive content and appropriate pedagogical responses would enhance both accountability and educational effectiveness.

Conclusion

The teaching of literature remains one of the most valuable components of secondary education. Its contributions to language development, critical thinking, moral reflection, emotional growth, and cultural understanding are substantial and well established. Nevertheless, literature is not inherently benign. Because it shapes perceptions, values, and identities, it can also expose learners to a range of pedagogical and ethical risks.

This article has argued that concerns relating to age-inappropriate sexuality, violence, ideological influence, authorial bias, historical representation, racism, sexism, and gender-based violence deserve greater attention within literature pedagogy. Rather than abandoning literature or restricting intellectual freedom, educators should adopt a risk-aware framework that integrates risk identification, mitigation strategies, critical literacy, and cost-benefit analysis.

The future of literature teaching in Nigeria and other developing countries lies not in choosing between celebration and criticism but in combining both. Literature should continue to challenge, inspire, and educate young people, but it should do so within pedagogical frameworks that consciously maximize its benefits while minimizing its potential harms.

References

Alexander, R. (2008). Essays on pedagogy. Routledge.

Dewey, J. (1938). Experience and education. Macmillan.

Fish, S. (1980). Is there a text in this class? The authority of interpretive communities. Harvard University Press.

Freire, P. (2000). Pedagogy of the oppressed (Original work published 1970). Continuum.

Iser, W. (1978). The act of reading: A theory of aesthetic response. Johns Hopkins University Press.

Janks, H. (2010). Literacy and power. Routledge.

Luke, A. (2000). Critical literacy in Australia: A matter of context and standpoint. Journal of Adolescent & Adult Literacy, 43(5), 448–461.

Miall, D. S., & Kuiken, D. (1994). Foregrounding, defamiliarization, and affect: Response to literary stories. Poetics, 22(5), 389–407. https://doi.org/10.1016/0304-422X(94)90022-1 (doi.org in Bing)

Pandya, J. Z., Mora, R. A., Alford, J. H., Golden, N. A., & de Roock, R. S. (Eds.). (2021). The handbook of critical literacies. Routledge.

Piper, B., & Dubeck, M. M. (2024). Responding to the learning crisis: Structured pedagogy in sub-Saharan Africa. International Journal of Educational Development, 109, 103095. https://doi.org/10.1016/j.ijedudev.2024.103095 (doi.org in Bing)

Rosenblatt, L. M. (1978). The reader, the text, the poem. Southern Illinois University Press.

Rosenblatt, L. M. (1995). Literature as exploration (Original work published 1938). Modern Language Association.

Shulman, L. S. (1987). Knowledge and teaching: Foundations of the new reform. Harvard Educational Review, 57(1), 1–22. https://doi.org/10.17763/haer.57.1.j463w79r56455411 (doi.org in Bing)

Tompkins, J. P. (Ed.). (1980). Reader-response criticism: From formalism to post-structuralism. Johns Hopkins University Press.

Vygotsky, L. S. (1978). Mind in society: The development of higher psychological processes. Harvard University Press.

Texts cited

Achebe, C. (2012). There was a country: A personal history of Biafra. Penguin.

Adichie, C.N. (2003) Purple Hibiscus. Chapel Hill, Algonquin Books of Chapel Hill

Adichie, C. N. (2006). Half of a yellow sun. Alfred A. Knopf.

Adichie, C. N (2009). The thing around your neck, Alfred A. Knopf.

Adichie, C. N. (2013). Americanah. Alfred A. Knopf.

Adichie, C. N (2025).  Dream Count, Alfred A. Knopf.

Ba M (1981) So long a letter, Heinemann

Beti, M. (1958/2005). Mission to Kala. Heinemann.

Ekwensi, C (1960) The Passport of Mallam Ilia, Cambridge University Press

Ousmane, S. (1960). God’s bits of wood. Heinemann.

P’Bitek Okot (1966) Song of Lawino: A Lament. East African Publishing House

Posted in BIBLICAL EXEGESIS, Christianity, faith, Moral conduct, Prose

Carrying one’s cross by Noel Ihebuzor

“If anyone wishes to come after me, he/she must deny himself/herself
and take up his/her cross daily and follow me”.

(I have deliberately squeezed in feminine gender pronouns in the excerpt – no irreverence meant – as some of you may know, I work for a very gender sensitive organization!)

Yes, if we must become true disciples of Christ, we must each carry our cross and follow Him. He carried a heavy cross for us….and won a crown of glory.So, Carry your cross, earn your crown, No pain for God, no Gain with God.

Question is – what is this cross? I could be wrong but I see the cross as having multiple manifestations and evolving as we go through the challenges that everyday living throws at us. Your cross could be a bad wife, a pub crawling husband, a spend thrift gambling husband, a reckless son, a daughter on drugs, a sick partner, a son who has done what he should not do, an aging mother, a brother on a sick bed for prolonged periods, a health condition that you are living with, an adolescent son who gets the neighbor’s daughter pregnant, an unfair boss, a physically abusive wife who beats the hell out of you, a foul mouthed and ungrateful husband, an erratic sister, an impossible and difficult mother in-law (an outlaw in your opinion, no doubt), an intrusive and noisy neighbor who believes that his latest home studio is best enjoyed at high volumes at 0500 hours, a control freak of a father who meddles in every detail of your life, and the list is endless. Your responding to these persons and the problems they throw at you with dignity, love, care, tolerance, compassion and prayerfulness difficult as this may be is the true essence of carrying one’s cross for me.

But I also think it is also important for me to stick out my naive neck and say what I think we should not confuse carrying one’s cross with. We certainly must not confuse it with self-imposed prisons we often lock ourselves up in when we are prejudiced, our self-inflicted difficulties as a result of errors that arise from our sins of pride, our unwillingness to forgive a hurt, our unwillingness to move beyond a relationship that onced boomed but that has now died, our hatred and rancours, our jealousies – deep and petty, our obsessions,…and I can continue. “I hate him with such intense passion that the mere thought of him simply spoils my day”….”Oh She ruined my life the day she walked out on our relationship and I will never ever forgive her or ever trust women again” are not crosses…they are obsessions, which often atrophy to neurosis unless they are checked. Indeed we must pray to be freed from these – for they stand between us and God. They distort our vision and cloud our judgments and cripple us physically, spiritually, emotionally, socially and mentally – they are not crosses, they are obstacles in our race to salvation and to our living full and abundant lives on earth here as we run the race.

Carrying one’s cross would involve self denial, helping others, doing your duty, serving with an open heart, understanding pain, showing empathy, helping those in sorrow to come to terms with their sorrow, reaching out a helping hand, forgiving others, conveying positivity, accepting your problems but looking up to God in prayerfulness, asking for His Grace and for a spirit of understanding, for a spirit of forgiveness and tolerance, yes for the gift of tough love. we must also pray that God should also give the opportunity to be like Simon of Cyrene – so that we can also help someone carry His or Her cross. And these Simon de Cyrene gestures need not be that dramatic – They could just be gentle word, the soft touch on the shoulder, the genuine smile of compassion…But these things are not easy, we all need critical perceptual shift and fundamental attitudinal adjustments to begin to do these things beyond just mere short lived dramatics and attention grabbing theatrics. But with God all things are possible – and I pray that He grants each one of us the ability and the willingness to carry our individual crosses and also to help others carry theirs. Let us have a spirit of prayer and a spirit of Grace. With God’s Grace, everything is possible – we approach him recognizing our weaknesses and knowing and believing that His strength is made perfect in our weakness. But we must first show that willingness to carry our crosses daily. So, biko, jo-o, Bend down, carry!.No cross, no crown. No pain, no gain!

Noel

Posted in governance, Politics, power, Prose

On “good and bad losers” by Noel Ihebuzor

On “good and bad losers” 1
Saturday’s presidential election introduced Nigerians to good losers and bad losers! Bad losers are those who call out inconsistencies in electoral processes and results. Good losers are those who remain silent in the face of gross irregularities, abuse of trust and misuse of power by organs of government.


On “good and bad losers” /2
Good losers acquiesce easily to offers of settlement, economic inducement and cultural pressures. They readily fling principles out of the window as expedience, considerations of personal gain and positioning are their principal decision making drivers; bad losers insist on the enthronement and the supremacy and application of principles of integrity, fairness and justice on all election related processes and decisions!


On “good and bad losers” /3
Good losers cringe readily before the threat of the use of power and force; bad losers recognize the supremacy of a recourse to legal means to resolve election disputes, such a recognition founded on a belief that an uncompromised judiciary is the rampart of all genuine democracies!

Posted in governance, Politics, Prose

Sobering reflections by Noel Ihebuzor


1 It is sad when people and nations choose foolishly and then blame fate or the gods for the consequences of their choices.
2. Experience is the best teacher but Nigerians are resistant to its teaching.
3. Huge traces of masochism must be embedded in the DNA of large portions of our populace when it comes to making political choices.
4. One bitten, twice seduced, thrice perpetually confused!
5. Rational Choice Theory (RCT) can explain anything including the worst forms of irrationality and that is its core flaw!

Posted in corruption, Creative writing, hope, disappointment,, Literature, Aesthetics, Politics, Prose, Religion

Purple Hibiscus – a critique of patriarchy and misguided religiosity

By Noel Ihebuzor

Purple hibiscus is a tragic tale of lives and family destroyed by the effects of extreme religiosity, a religiosity that strays quite frequently into the irrational and the psychotic. It is also a tale on the dangers of patriarchy, of domestic violence (spousal and GBV) and what could happen when the battered acquiesce for too long in their systematic humiliation. I also see it as a critique of crude and arrogant Catholicism of the type practised in some parishes in Nigeria. The author of the novel, Chimamanda Adichie has certainly amplified that criticism in her recent address to the council of Nigeria’s, and thereby called out the church and its leaders on a public platform.

But let us go back to the story and see what it tells us – simply this – a fanatical father infected with extremes of religious belief engages in behaviors which systematically estrange from his family, his own father and his sister. In the end, he is poisoned by his wife who sees murder as the only route to end his reign of terror and her suffering.

Let us look at the characters – Papa, a Catholic and publisher of a newspaper, mama, his subdued wife who he humiliates at will, their two children, Kambili and Jaja, whom Papa terrorises and who live in total fear of his fits of temper and excesses, Aunty Ifeoma, Papa’s sister, a lecturer and a beacon of liberalism and radicalism, her two children and finally Papa Nnukwu, Papa’s dad and the children’s grandfather. Papa Nnukwu practices traditional religion and this reality creates a permanent tension between him and his son. The tension is such as that it stands permanently in the way of any demonstration of any bond of filial loyalty from our super Christian pater familias to his father.

Interwoven in this sad tale and in the lives of the characters are snippets of the social ills of Nigeria, including that of corruption, poor governance, abuse of office, wrong and aggressive policing, the corrupting and corrosive effects of a poorly examined religious life and what could happen when a young girl either falls in love with or fantasizes over her priest. The tension is intense and eventually leads to the tragic ending of the novel. The title of the novel ” Purple Hibiscus” is thus at variance with its content.

In the end papa dies from the effects of sustained poisoning by his wife but Jaja takes the rap for his mum. A family is destroyed because of the misguided religiosity of a domineering and aggressive father.

This is a troubling and troubled novel told with sensitivity and tact. One sees in it also the early signs of the author’s feminism, a feminism that has since blossomed as can seen in her positions and speeches on several social media platforms. But some questions persist. One of these is this – is papa a rounded character or a flat character? Does his characterization lean towards a single story approach? Remember that Adichie comes against single stories in one of her now famous lectures? What does the reader think?

Posted in governance, Politics, Prose

Nkemdirim by Noel Ihebuzor


The person who calls his/her child Nkemdirim is not asking for too much! The person is simply asking God to confirm and sustain his gift to him or her. He or she is also asking God to imbue that gift with utility, distinctiveness, a sense of identity, permanence and sustainability. Nkemdirim is also a prayer that the gift remains with us whatever may be the vicissitudes of life!

People advance and progress when they grow, solidify and edify what is theirs. People advance when they build on their positive values and assets. Peoples and nations advance recognizing the value of what is theirs and not by uncritical self abandonment nor by group rejection nor through the adoption of the structures that belong to others. You cannot be an Ogaranya with someone else’s wealth or structure. Charity and beauty, they say, start from home. “Eji eshi uyo mara mma fuma ama” the Owerri person would say, and correctly too!
We approach others with more confidence and with a greater sense of security when invested and vested in our uniqueness, our USP, if you like. These constitute our distinctiveness.
In such situations, our base is firm, our unit flags, our symbols and our totems are visible, unique, vibrant and distinctive.

These things give us identity. A family, a village, a town, a clan…indeed, any structure without identity is lost and will be absorbed by others in a way that degrades it and ultimately wipes it off from any serious reckoning.

As in life, so also in other spheres of life, including associating with others in politics. Which political structure is ours? Just asking! Nkemdirim.

Posted in Colonialism, Creative writing, exploitation, greed, Literature, Aesthetics, power, Prose, racism

Was Achebe completely right to write off Heart of Darkness as a racist text? by Noel Ihebuzor

In an essay titled “An Image of Africa: Racism in Conrad’s Heart of Darkness” Chinua Achebe calls out Conrad for racism and spends time showing examples of racism, stereotyping, otherness and infantilzation of Africans in the novella. Whilst such a reading and reaction have their merits, they have the danger of also obscuring and downplaying Conrad’s strong critique and condemnation of colonialism and the then popular rationalisation of the invasion and despoiling of Africa by appeals to the theory of the white man’s burden. So, Heart of Darkness whilst it may have traces of racism is a good primer and introduction to any serious critique of colonialism. A fair appraisal would thus require putting its observed defects side by side with its shattering critique and dismantling of the false claims that were used to rationalise colonialism.

Heart of Darkness thus deserves a second trial by jury with a little bit more of emotional distance from the setting and characters than Chinua Achebe. I think that the great novelist Achebe overreacted in his response to Conrad. Such an overreaction is understandable in an African smarting from the sting of insults to Africa by white scholars such as the Regius professor of history Trevor Roper who had argued that Africa had no history before the coming of the white beyond the gyrations of tribes in the wilds of the dark continent.

So I understand why CA reacted the way he did . I have read and re-read the paper where CA calls Conrad out and some of the claims against Conrad there are justified.

But CA should also have recognized that Conrad, talking through Marlow, was very savage and scathing in his demolition of the justifications of the colonial enterprise. Nearly every white man in that novella is presented as grossly ignorant, lacking in depth and driven by greed. Conrad is particularly critical of the methods of the white colonizer. Even the pilgrims going up the river with Marlow come across as a bunch of poorly camouflaged mercenaries in search of loot and plunder. Kurtz is the archetype of evil, of cruelty and unspeakable savagery. Indeed the Heart of Darkness more appropriately refers to the heart of Kurtz and not to the Congo as a geographical space. The novel describes the depravity in the heart of Kurtz. It refers to that twisted heart ruined by its obsession with ivory, an obsession that pushes Kurtz to carry out ivory raids and to put the heads of all who opposed him on spikes!

A close reading of the sections of the novel would reveal instances of racism that would shock a 21st reader. Such passages therefore appear to justify the accusation of Conrad of racism. Examples abound – Conrad’s use of the “N” word severally in the novel is one good example of racism. Equally, his exaggerated description of the natives, and especially his characterisation of Kurtz’s black mistress suggest an almost identical mindset with early European writers on Africa such as Ryder Haggard who were blatantly racist! Worse still, in some sections of the novel, Conrad, through Marlow his narrator, almost infantalizes africans – they scatter and scamper at the sound of the whistle of the penny boat, Marlow skipper and helmsman conducts himself in the manner of a child with his exaggerated mannerisms. Even Marlow’s explanation of the working of the steam engine to his African assistant is highly patronising, insulting and steeped in prescientific animism. There was a terrible spirit trapped in the boiler and it must be pacified by a constant supply of fire! How insulting! Then there is suggestion of cannibalism on the part of the crew of the boat though they did not eat Marlow and his white companions. Are the instances revealing of a mind steeped in racism and that of a famous writer trapped in a Eurocentric mindset and who was writing for an European audience still trapped in its ignorance of Africa and who sought to market European adventure into Africa as being an act of benevolence of a super race anxious to bring civilisation to savages?

Such a reading is seriously challenges by the greed and imbecile rapacity which accompany the colonial in irsion and adventure. And Conrad does a good job in exposing this through the merciless unpeeling of the Belgian mission as a mad rush for ivory. Through the portrayal of the true mission of Kurtz and his fellow travellers, Conrad indicts colonialism and lays bare its false justifications. Yes, I agree that some of Conrad’s explanations for the origins of Kurtz’s lunacy, such as the one that the jungle had invaded Kurtz’s mind in retaliation for his invasion of its space, is deficient. Such an explanation belongs to an era of premature speculative animism masquerading as science but we must be careful not to mistake such dabbling into pseudoscience as an apologia for racism. I see Heart of Darkness as one of the earliest examples of anti-colonial literature.

Posted in Politics, Prose, Uncategorized

Scribbles on Inclusion and exclusion

By

Noel Ihebuzor

 

 

 

 

 

Societies are made up of groups. Each member has to contribute but not everyone must hold similar views. Good societies are built on the principles of

 

Some common vision

Some common bonding/cohesion

Some shared values

Some commonly agreed norms along with

a recognition of the need for individuality

a commonly agreed and shared purpose interacting

with a recognition for the importance heterogeneity and diversity

for without diversity and heterogeneity,

Uniformity would not only be stifling but also suffocating

 

These elements make up what we call social capital

 

Good societies recognize and accept all their members, on the understanding that unity is not the same as uniformity

 

Happy human societies are founded on the principle of:

 

·         Human dignity

·         Mutual respect,

·         Social justice

·         rule of law

·         equality of all before the law

·         Social responsibility

·         Equity and fairness

·         Mutual trust,

·         Cooperation and inclusiveness

 

Good societies are inclusive There is a danger in some conceptions of inclusiveness as demanding uniformity and zero diversity as sine qua non for its operation. This is a flawed view as it could lead to a loss of individual freedoms as an individual who fails to meet its flawed and narrow requirement is singled out to become a victim of exclusion. Exclusion is the opposite of inclusion. It is negative and highly destructive.

 

What are the dangers of exclusion?

 

Exclusion – why do we exclude – we exclude because of fear, prejudice, wrong information, ignorance hatred, envy, xenophobia.

features of exclusion, Exclusion as Us versus they, antagonisms, blame games ,scapegoating, hate speech, demonizing the other consequences of exclusion – physical, psychological, emotional (trauma, self-pity, fighting back),  ethnophaulisms, marginalization, intolerance, mistrust

 

the features of exclusion – Exclusion is irrational, hurtful, destructive and subtractive. It creates tensions, creates scapegoats, uses negative words, results in us-they world, leads to further incomprehension and misunderstanding, creates suspicion, can provoke conflict.

 

when people are excluded they feel self-doubt, self-pity, anger, hate, and frustration, bitter, resentful

 

a culture of tolerance for diversity.

 

difference and diversity are not enough reasons for mistrust between people

 

Tolerance is a virtue.

 

Tolerance breeds more tolerance.

 

Difference and diversity enrich, we can build on these. But to do so, we need to include others.

 

We are all unique and same at the same time different. I am like you, you are like me, but yet each one of us is different. The “Ebony and Ivory on the key board” song by Stevie Wonder brings out this enriching aspect diversity.

 

The principle of reciprocity – you accept me, I accept you.

Discrimination, bias, stereotyping make bad sense

 

 

 

 

 

Posted in corruption, Politics, Prose, Uncategorized

Chidi Odinkalu’s verdict on Buhari’s Anti-corruption War

Truth is often bitter but it is the perfect antidote to self-deception. Truth also helps protect the public from undue manipulation and mind control by governments and their licensed agents and spinners anxious to sell smoke, hype and inaccuracies to a population seduced by adulation and trapped by credulity. We need social critics and activists who are willing to speak evidence-based truths to rulers and the ruled. Chidi Odikanlu’s take on this government’s anti-corruption campaign is important because it is precisely such an exercise. It is an exercise in fact-checking and evidence-based evaluation where hard reality is used to confront government’s posturings and verbalizations on corruption. His verdict? “Buhari’s Anti-corruption war (is) Partisan (and) Lacks Credibility”.

I would even add that the “anti-corruption war” is the child of political posturing which was used, along with two other sound bytes – Security and Employment, to appeal to a populace that had felt politically excluded by PDP misgovernance.

The entire contribution by Prof Chidi Odinkalu is worth reading. Clicking the link line takes you to it. It needs a lot of courage to speak up and out as Professor Odinkalu has done.  Yet such voices of courage are needed since as more voices rise to speak truth to power and to chastise with love and civility those we have entrusted with ruling us for observed mismatches between their rhetoric and action, the more and firmer will grow the tree of accountability and responsible governance.