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No to NaNoWriMo

Must read!

Nimue Brown's avatarDruid Life

In January, everyone should try and choreograph a ballet. In March we should all write an opera, and in June everyone should paint a fresco. Sounds ludicrous, doesn’t it? And yet the idea that everyone could write a novel in November gets a good deal more acceptance. Why do we assume that, while these other forms would require skills, knowledge and practice beyond most people’s experience, anyone can write a book? It drives me round the bend.

Getting people to explore their creativity is something I’ve always considered important, but I think that should begin with a respect for whatever form you are working in. To start by assuming the form is easy, requires no study, research or insight, is to set yourself up to fail. I don’t think that benefits anyone. So, here are a few counterarguments.

Fifty thousand words is not really a book; that’s rather short. Seventy…

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How to Spot and Overcome Manipulation

Dan Rockwell's avatarLeadership Freak

Leaders become manipulators when self-serving goals outweigh organizational interests.

Self-serving goals require manipulation, coercion, deception, and pressure tactics. Shared goals, on the other hand, pull everyone forward.

lizard

“There is perhaps nothing more dangerous than a bad person with good people skills.” Bob Burg in Adversaries to Allies.

Manipulators are skillful persuaders.

Context of manipulation:

“No” is the most obvious context of manipulation. Say no to a manipulator and experience things like:

  1. Guilt. “If you really cared …”
  2. Bullying.
  3. Flattery. Manipulation often begins with, “I really admire your ability to …”
  4. Intimidation. “You could lose your job.”
  5. Withholding information.
  6. Half-truths designed to create wrong decisions. They often only tell the side of the story that makes others look bad.
  7. Shame.
    (See the complete list given by Facebook contributors.)

Bob Burg writes, “… if you fail to comply with his request, a manipulator will try to make you feel bad, selfish…

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I sing dandelion seeds

lines that breathe, words that perfume the ear….prose poetry!

Susan L Daniels's avatarSusan Daniels Poetry

My chrysanthemum/daisy/buttercup bouquet in a shoebox is a love poem.  I open it for you, smiling, but you see only the yellows, not the asters that are my eyes.  I sing dandelion seeds, each note touching your face.  You brush it away, this music that is felt, that tickles, that tangles in your hair.  I bring you violets and call them haiku.

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Posted in Prose

Hastening Prosecutions, Restricting Stay of Proceedings

Noel A. Ihebuzor

I was very enthused this morning as I read this article. To learn that the House of Representatives was doing something to hasten prosecution of cases was sweet music to my ears.  I recalled some jottings I made earlier this year in April on this same subject (see here) and decided to share it once again with my readers.

Too many innocent Nigerians suffer the pain and agony of protracted trials. Hastened prosecutions would lessen that suffering.  Also many Nigerians who are walking about free today should be behind bars. The sooner such persons are brought to justice, the better for everyone. Timing is of essence here as a number of these persons who have looted public assets and appropriated public lands are now seeking shelters behind political parties and feverishly parading themselves as saints. As they photo-shop their pasts, they are also perfecting a narrative of victimhood even as evidences of their misdeeds and knavery are there for all to see. The closer the trials and incarcerations of such people are to 2015, the easier it will be for these fast talking persons to sell the public tall tales whose intentions  would be to try to present plain professional prosecutions as politically driven persecutions.

Posted in Prose

Identifying corrupting arguments on corruption

By

Noel A. Ihebuzor

I shared these thoughts on corruption about a year ago. Recent events in Nigeria and reactions to them on social media prompt me to share them again.

Bad is Bad.  But to selectively focus on the “bad” committed by persons you do not like, hyping it and creating a mass hysteria around it whilst turning a convenient blind eye to the “bad” of other people you like is bad.  Blanketing out news on the “bad” glaringly perpetrated by persons whose causes you champion is bad. Bad is Bad.

Impunity is bad. But to selectively focus on impunity at one level and to remain silent when impunity is generously dished out by other levels of government is bad. It is to allow economics, religion and politics to either condition our perception or to dampen our capacity for impartial judgments and consistent demonstrations of moral outrage. It is to practice a morality based on expediency. Such expediency-driven morality eventually imposes a huge burden of dysfunction in our judgements, a dysfunction with unimaginable opportunity costs and which dysfunction indeed could then have untold deletrious effects on a polity that looks up to us as impartial watchdogs.

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The Narratives of Nigeria’s Politico-Twitterati

Unpacking and unravelling narratives

feathersproject's avatarFEATHERS PROJECT

By Nwachukwu Egbunike

hashtag_twitter-380x271

The streets of Nigeria’s Twitter are hot and harsh these days. The clash of the politico-twitterati on each side of the divide – opposition and the establishment – has been characterized with vile tweet-blood. Politico-Twitterati means those influential tweeps or overlords who are active partisan politicians. They differ from “political tweeps” (or political activists) who though they tweet on politics, owe no allegiance to any political party.

The narrative as expounded by each side of the divide can be grouped into two: disruptive narration (by the opposition) and confutative narration (by the establishment).

The Disruptive Narrative of the Opposition Politico-Twitterati

A casual observation of the handles of some opposition overlords shows that they thrive on rumours. It looks as though they patiently wait for any gaffe from government officials and then precipitate a twitterstorm. For instance take the “news” on the 53 gold plated…

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#Introducing the OdenIgbo Newsletter

Odenigbo!

feathersproject's avatarFEATHERS PROJECT

Biko Agozino, poet and professor of African Studies and Criminology, is spearheading a newsletter “OdenIgbo” – which will offer analysis solely in Igbo language.

I must say that this is a bold and ambitious project. For to speak Igbo is one thing, to understand and maintain a conversation in the language – for many, this is a competence that is gradually ebbing – is uncommon. But to launch a publication which will be feature essays exclusively in Igbo is mind blowing! Click on the link below to download a pdf copy of OdenIgbo.

ODENIGBO

Note, it’s not for the faint hearted, let’s see those who can still read and comprehend undiluted Igbo!

Dalu nu!

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Loving You

worthy prayer!

topazo's avatarThe Z Channel

Open my heart
Like the flower to the sun
Rejoicing in its rays
Basking in its brightness

Open my heart
Like the petals of the hibiscus
Beckoning the butterfly
Seeking the dispersion of its pollen

Open my heart
To receive Your loving kindness
To embrace Your tender mercies
Like a sailor hard pressed at sea
at the sight of shore

Open my heart
to see into Your heart
to know the depth of Your love
Like a child gazing upwards at the
One that gives it suck

Open my heart
To warm to You
Like the child breaking into a smile
At the sound of it’s mother’s voice

Open my heart
To see You
To know You
To love You

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Posted in Prose

Review of Kemi Ogunniyi’s “My Wife’s Husband”

By Noel A. Ihebuzor

Flash fiction as a genre is enjoying an amazing lease of life and burst of energy in Nigeria’s literary space. Kemi Ogunniyi’s “My wife’s husband” is one more manifestation of the blossoming creativity in this genre. A tale that probes relationships and loyalty, it packs a punch which is starkly at variance with its brevity.

The first striking thing about this work of art is its title, a title that sets the mind wondering whether one is engaging a work that deals with polyandry or one that suffers from some deliberate aberration in its title. When the reader emerges from the jolt caused by this provocative title, he/she then encounters a tightly told story of love where the lives of the living are tied up closely with the dead. The story of woman still in love with a dead man and the struggles of the man who loves her in the present to relate to her crisis and support her in the process is heart wrenching.

The story is compact and packed with “virtual” detail which the mind of the reader unpacks as he/she reads along. By exercising very controlled parsimony and brevity, Kemi provides space for her reader to fill out the unsaid and the unspoken – the death of a husband, the remarriage of the widow, the unhealthy love of the dead, the hallucination that comes with such obsessive attachment to the past, the long suffering of the present husband and the tragedy of dreams and lives shattered by sudden death. Kemi’s skill in this micro fiction lies partly in the space she allows us for these legitimate inferences. But beyond this, Kemi serves us a micro fiction at its very best –  a story with single focus but with multiple subterranean subthemes and streams all ambling along and supporting that single focus. The story’s denouement is startling, plausible and touching. The denouement I have referred to is not one of closure since it leaves the reader still asking more questions and wondering why! All of this is achieved in a prose passage of 309 words using a first person narrative voice where the narrator, despite his pains, manages to remain composed and dignified, thereby revealing his own capacity for empathy and love.

This micro fiction is a must read! May our land continue to witness the flourishing of creative skills of the type we have seen displayed by Kemi and ladies of her generation.

Noel Ihebuzor