Posted in Poetry

Circles and cycles

By Noel Ihebuzor

Eyes buried deep in hollow round sockets,

the sagging sack of bones speak for bodies

clothed in loose fitting tired plastic skin buckets

drooping like tired jute bags, brown, crumpling floppies

Buttocks shrivelled and feet

swollen ungainly,

dragging weeping frame around in now ending cycles

the circling flies,

whirling after twirling running tummies meet

mums in panic, running around dazed in dizzying circles

holding on to and hoping….

and ignoring hopes now withering

yet stubbornly clutching to withered hopes, wilting and dithering

Close by, on well manicured lawns,

watered tenderly by cycling swinging sprayers,

in circles of overflowing affluence

where grass lawns are fed with grace

from the proceeds of illicit deals and heists of disgrace

Pastors, preachers, prophets, politicians co-habit

preach, pray, praise, and pontificate

in voluminous waffle, clogging spaces with sterile volubility,

consciences clogged,

hard hearts twisted,

greed terraced mindscapes and bodyscapes, carousing

in convoluted cavorting

Waste dances indecent

in the wining and dining,

the wants of the poor swell, ballooning,

knocking over and sweeping away young fragile frames

staggering bodies and souls of children

their mothers whining and wailing,

along to painful grinding end points….

a procession preceded by a small wooden box

announces the end of one cycle,

the prolongation of the circle,

the festering sore enlarges

speaking the language of a cycle of infamy

and a dooming narrowing circle

closing in on the undying hope of mothers with dying children

their throats and lives throttled by the plump hands

of greed, callous, grabbing and choking

Posted in Poetry

A good bye song for Santos

By Noel Ihebuzor

Surveying his still and lean frame

I still and steel myself

trying to dam the hot streams seeking release

I lean back in time and spare tear drenched thoughts

to visit with his past before his still present

and survey a future without his comforting presence

The little boy besides me clutches my hands

all grief and bewilderment, suddenly thrust into adulthood yet a child,

struggling to be brave and I too struggle to be brave for him

holding his hands as we both struggle to suffocate the pain that seeks to suffocate us

and my thoughts tumble, my words stumble,

my mind wobbles as do my legs on this walk of farewell

a slow walk of love, honor, respect and remembrance

molten waves of sorrow scorch me as I walk and gaze

As I gaze on him and remember, and recall and re-live….

Santos, Santos the gbogbo di gbogbo

Dimkpa asa, okunrin meta,

“One Naze man at a time”

Okunrin dara, nwoke obioma, ome nwanne….

O very very Santos Achuku

Not you to enjoy the spare rib

when ribs stare at one from withering rib cages

not for you the lean prime cut

when the world bulges in the middle with the

withered frames of lean children,

soon to be cut off in the prime of childhood

lean as thin drying and dying sticks

stick children with sagging skins

which cling like dirty sack cloths to the tiring bones

Oh, Santos , how often did we rage at a deaf drunken and indifferent world

and for you, Santos, action was also soothing

and so, willingly at Lekki, Tere-Ama, okorieukwu and beyond,

he lent his throat to voice their pain

with no thought of gain

save to soften their pain and to soften his too

and soothe the pains of separation he bore

gladly he lent his time, his mind, his voice, his frame

that theirs may grow

that smiles would grace their faces

I sing for you Santos

You who now sing no more

For you Santos who loved life

but for whom songs for others was

vital for the vibrancy of your own songs

and for the voices you missed so

I sing for you Santos

I sing my sorrow and your grief

I sing for those voices,

voices whose touches you missed and still miss

those voices who are unable to sing,

suppressed, silent, sad,

subdued and sullen

I sing for the hard of heart, haters and hatters

hard nuts, twisted and knotted

I sing Santos knowing that that your charity beams on them,

your arms of embrace still open to welcome though you be still

Chi anyi di nma, Uchechi ga eme, Chi anyi ji oke and though some may think it is dark, bright days await you….

Gingerly tenderly, I caress your presents

this endless present,

a past that lives, heaves and breathes

and a future that glows and beckons

The three time frames, yet a continuity, endless

O very Santos, you came, you lived, you loved and you live on

the road you walk is smooth, your path is good, Uzoma

no stomps graze your feet as winged creatures lift you

lead and accompany you to the warm welcome of His bosom and light.

**** This is one of my clumsiest songs. I wrote it in 2009 for my late elder brother and friend, Valentine Uzoma Ihebuzor – ( I called him Santos and still do! ) after we had committed his mortal remains to mother earth in my father’s compound in the village! Santos sleeps right next to his bedroom window and the sands of my village lie gently on him! Today is three years since that committal! Up Santos!

Posted in Poetry

Haiku on Love

By Noel Ihebuzor

When we love, we roll

wrap and reap, when love goes, we

rip, rant and regret

 

When we love, the sun shines

cool calm blue, humming magic

hearts glow, beings vibrate

 

When love goes, glow fades

blues come, gloom sings, hurting hearts

pull back, pain throbbing

Posted in Poetry

When the keyboard stammers – a poem on slips and errors

Keyboard sudden sodden with stammer,
sodden fingers leaking, pressure and pleasure on fingers,
hydaulics, control valves and bubbling words and thoughts,
energy, all tumbling,  fluid dynamics and sublimal flows stabilising
internal riots, ordered entropy
a benign judas like affliction announcing good standing

so when next the keyboard stammers,
say no buts, not butts, not misskates, not errors
but errands from within butting into and jotting out
to the without, shy

******A poem by Susan, a wonderful poet and my duet partner, on slips and errors when we engage others through the medium of the keyboard prompted this poem, a poem that is more of an incoherent stammer than a statement or a theory of slips  – As we all know, Freud has the last word on that topic! Susan, this song is for you!