(I share my review of Chinua Achebe’s book – There was a country TWAC – a review I wrote so many years back.)
Chinua Achebe’s new book “There was a country, a personal history of Biafra” (TWAC, for short in the rest of this essay) has stirred up and continues to stir up considerable furore in Nigeria. Reactions to the book cover a broad spectrum of emotions – from over-enthusiastic reception at one end to outright rejection and even condemnation of the author and his book at the other. We are a nation with unique proneness for extreme positions on some matters. My purpose in this essay is to attempt a review of this book as objectively as I can and in the process identify whatever utility the book possesses for Nigeria in its efforts to manage its challenged present and chart its future in the current haze of colossal national dysfunctions. Any effective charting of such a future must, in my view, depend on a proper understanding and acceptance of her troubled past.
Let me start by presenting the structure of the book. TWAC is in four unequal parts with a postscript (on the example of Nelson Mandela as an icon of leadership in Africa) and an appendix – Brigadier Banjo’s Broadcast to Mid-West. Achebe claims he is writing the book for the sake of the future of Nigeria, for our children and our grandchildren. Let me then attempt a synopsis of this book.
Part 1 recounts Achebe’s early days, his education from primary school days, his secondary school experience at Umuahia, his days at Ibadan, the beginning of his literary career and his meeting with Christie Achebe, his wife. Part 1 also examines the January 1966 coup, the army, the counter-coup, the reprisals, the pogrom, the worsening tensions, attempts at peace, the failed Aburi accord, ethnic tensions, and resentment. It ends with a sub-section titled “the nightmare begins” where we learn of the creation of states by the Gowon led Federal Administration on the 27th May and the proclamation of Biafran Independence by Ojukwu on the 30th May, 1967. There is a lot of nostalgia for the good old days in some portions of part 1 and some of the sections here are teasingly brief and telegraphic, especially his meeting, courtship and marriage to Christie!
Part 2 deals with the Nigeria-Biafra war. It presents a fairly detailed account of the war, Achebe’s wartime activities and his role in the Biafran struggle. We also get to learn of his association with Chris Okigbo and the death of this great poet. Achebe’s narration of this death is so subdued. Part 2 also provides glimpses into life in Biafra, starvation, death, air raids, war casualties, Biafran ingenuity, the Ogbunigwe, the war efforts and theatres, the role of external parties in the conflict, the Uli airstrip, the airlift operations and a host of other details.
Part 3 narrates the economic starvation and blockade, the vicissitudes of the fighting and takes the reader through to the eventual collapse of Biafra. It also addresses the very sensitive issues concerning the use of hunger and starvation during the war and some economic decisions taken by the federal authorities both during the war and at its end. This is the part that has caused most offense in some quarters in Nigeria and also provoked a torrent of ethnic driven and emotive responses.
Part 4 looks at Nigeria in the present and the writer’s hopes and aspirations for a renewed Nigeria shine through. The prose in each of these parts is interspersed with his poems, two of the most haunting being Refugee mother and child and the vultures!
I am Igbo, lived through the war and may therefore not be in a good position to be neutral about TWAC. But I think that Achebe has written a fine book, a book in which he makes every effort to be factual to the point of adopting what I call a flat clinically detached narrative voice in much of parts 1 and 2! One of the strengths of TWAC is the detailed historical referencing and openness to a diversity of sources! The creative writer in Achebe cedes place in major portions of parts 1 and 2 to the cold and detached historian. This is not Achebe that we know, the animated storyteller who knows how to make words come alive, dance and sing with the same virtuosity one would ascribe to Obika in his Ogbazulu obodo role. Not only does he subdue personal voice in large portions of TWAC, Achebe also succeeds fairly well in managing any biases. For instance, he does not spare either Ojukwu or Gowon in his judgments, laying the blame for the conflict on the pride and personal jousts between these two colonels. For someone who served Biafra in such elevated and personal levels to achieve this level of objectivity in a personal war memoir is commendable
In much of TWAC, what we therefore see is the subdued artist surrendering his impulses to the discipline of facts and available evidence. So great is this surrender to the demands of objective historiography that the personal comments one expects are not delivered. Rather the writer presents the views of others even when these challenge the Biafran position! This historical disciplining appears to have been lost on the writers of some reviews who have tried to fault TWAC on grounds of faulty historical methods. One reviewer even went as far as accusing Achebe of Awophobia whilst another accused him of senility! These are good glimpses of how serious minded some of our reviewers in Nigeria are! Incidentally, one also wonders whether some of these reviewers really read the book! I suspect some did not, given the timing and content of their reviews. But this suspicion does not in any way reduce my admiration for such gifted folks who can review a book without ever reading it! They are proof of the abundance of paranormal capacities in Nigeria!
Achebe’s voice returns from p.222 through to part 4 of TWAC. With the return of voice, the book then comes more alive. TWAC is inconvenient though useful as we grapple with nation building. It forces us to think of our past. To move into the future on firmer footing, the present must go back and catch up with our troubled past and learn from it. We cannot deny the reality of the pogrom. We cannot say that children did not die of hunger and starvation during the war. It is also unproductive to seek through convoluted sophistry to exonerate certain persons from the consequences of their actions or inactions. We need to confront our past, accept our mistakes and learn from them and move on. This is the inconvenient message of TWAC, its beauty and its social utility. Truth is bitter but it heals!
Incidentally, some of the issues in TWAC had already been touched upon in part in Achebe’s earlier works notably – “The Education of a British Protected child”, “Home and Exile” and “The Trouble with Nigeria” books which overflow with wit, sarcasm, erudition, intellectual energy and boldness! Yet the reception to these books was not as hostile as the one accorded TWAC. A discerning reader noting the focus and thrusts of the hostile reactions will easily know why!
But beyond providing a history of a piece of our troubled past, TWAC, especially pp39-61, represents an important contribution to African aesthetics. It therefore extends Achebe’s thinking presented in his books “Home and Exile” and “The Education of a British protected child” on the role of literature and the artist in reclaiming the past, understanding the present and building the future. I find the notion of beneficent fiction in TWAC (p57) to represent a useful African position on the role of literature and writers in social engagement! For Achebe, the writer must be engaged as a moral obligation and must not “ally oneself with power against the powerless” or run the risk of producing “elegantly tired fiction” TWAC p.59
But TWAC is not only about criticisms, social or literary. Achebe addresses current issues including corruption and Boko Haram. He laments our cult of mediocrity which he believes is at the base of our present malaise. He argues for checks and balances to reduce the decadence, corruption and debauchery of the past several decades (p252) He argues for a strengthening of democratic institutions and for free and fair elections and looks forward to the emergence of a leader humbled by the trust people place on him/her and who is willing to use “the power given him for the good of the people?” p253. Achebe has been prophetic in the past. I hope GEJ and JEGA are listening to him. The successes of Edo and Ondo already encourage and challenge.