Category: Poetry
The Winning Mind
The mind that wills will win
willing is the wheel of winning
The mind that wills wilts not
weaning itself away from the whims of mere wishing
it conceives, believes,
engages and achieves
A mind that wins wills.
Imaginative, driven
fired by belief and faith
it aligns itself to
the wheel and will of the maker,
to the wisdom of the creator
who lights the path, the rivers,
the hills and valleys through
which we all transient wayfarers trudge and journey
the winning mind wills itself to wade through
highs and lows
morally high, like Kant
avoiding cant and can’t
to win a crown
in the end,
at the two ends
A song of Faith and Hope
By Noel Ihebuzor
When you find yourself before the day, a day
darkened by crisis
your road blocked by obstacles, slippery and forbidding
…blinding and obstructing
the path of faith
will lead us to the fair and feast
of supreme joy
that God prepares for us.
Be confident
No need for despair
Believe in His cross of wood
Even if sleepless night blight your path
Even if ferocious dogs bark loud
And cold freezes your soul
And warm bitter tears of despair
prepare to unleash with the force of a tsunami
and anguish inundates and threatens to wash you away
Even if the terrors of the night seek to drown you
as they frighten your dreams soaking them in clammy sweat
even if the world threatens to fall apart
and suck you in and under
be confident child of faith
stand up, child
say No, and kick back the incipient despair
re-conceive your savior
your king, his laws, so simple
faith, hope and charity
be strong and steadfast and believe
be steadfast and re-launch yourself
upright on his path
your eyes fixed on heavenly things
contemplate his light that illuminates
in the rays of the sun
His reassuring caress in the soft smile of the moon
the shining stars his priceless pearls
Behold His glory, drink from the endless bounty of the joy
He freely bestows, without limits, across and beyond borders,
Without equal
on this day born of faith
this joyous day of Easter and for always
@naitwt on twitter
Interviewee’s lament
The interviewee’s lament
by Noel Ihebuzor Tuesday, 18 January 2011 at 20:09
When you and I speak in
settings stiff, skewed and tense
in this market place steeped in imperfections,
in flawed assumptions, unequal rates of exchange and asymmetries
judge and jury,
you hold both the yam and the knife
when you and I engage
in these strained encounters
and you must ask me what, how and why,
me, tense, my tongue parched dry,
stiff as wood
my phrases now in patches and stutters
my cool calm flown
my rehearsed composure in rout ,
unraveling, ideas in disarray
and you cool and assured, must ask me what how and why
please ask
but let the why not fall with the deadening
deafening weight of a ton
nor weighted down by a long dangling darkling tail
inflamed hot by your enlarging arrogance
swaying wantonly, entangled by accumulated pride
tinged with prejudice
propelled by malice, intent to manacle.
So drill me, grill me since you must,
with your what how and why
but gently, not a mangling why,
that verges on the arid,
that seeks to ridicule, No,
ask me why and how, a plain why,
simple and clear
nothing of the trajectory of the calculated knockout punch
not a why with vicious and malicious intent,
with concealed traps, seeking to abase, debase
to reduce me
otherwise I could defy roles
turn the tables and also ask you
the favorite questions
of the town imbecile,
(him without guile or vile intention)
“how long is a comma,
when spoken with the feigned forced eloquence,
of the newly turned ajebo?”
“how many grasshoppers will make one cow?”
“how many half truths make one truth?”
questions similar to some of the ones
your assured tongue hurls at me
in our unequal engagement
questions that verge on the sterile, the hostile
straining my patience and
leaning progressively to the irrelevant
A song of rejoicing and hope – celebrating the demise of FGM
Noel Ihebuzor
No more shall a million songs be dimmed
and muffled by the shutters of tradition,
no more shall we remain silent
before the stunting of the living
to humor the dead
no longer shall we remain mute
in drunk like obedience
to hollow and hollowing echoes from the past
before the snuffing out
of ten thousand and one voices,
no longer remain silent accomplices
when rich possibilities are denied
in deadening numbing initiations,
where blind tradition visits violence
on the present,
dulls, dumbs, blunts
and limits it
no more be partakers of a tragedy.
For is it not tragedy
when the crusted boney hands of the past
trap and choke the present
and deny its petals and potentials
from unfurling and feeling?
We sing the voice of hope,
we sing a new dawn,
our voices affirm the present
unbind it from the rusty manacles of practices
that hurt, humiliate and harm,
our voices tear down blinding practices
as we shake ourselves free
from the shackles and tyranny of some past imperfect
we sing, lips full, voices now vibrant
rejoicing the beauty of petals that will bloom,
the radiance of the bud of the flower
that embraces the open skies
free to feel, unfurl, unfold as endowed
“tragedy is defeated,
the present lives and heaves
rescued at last from the choking grip
of an ossified past
the present celebrates the joy of living
the future unchained”
Our daughters’ voices take up our cue
and sing your demise,
their full voices and lips
announce and chant your death,
chanting it to the four winds
on the four market days
in the gentle glow
and soft smile of each passing moon, happy
the stars winking, decorating the skies above
with a thousand sparkling flowers
our daughter dance,
they dance in agile steps,
limbs and life freed
of the weights of your deadening
heavy lead bangles,
they leap and prance as the melodies
from their full lips and uncut voices explore,
explode with joy, celebrate
and drown the pains we felt”
The first cut – a song against FGM/FGC
I wait eyes half closed stilling myself,
seeing all around dimly,
heart pounding and racing,
sweating, shivering.
Then the blade flashes fast,
tears down, biting
deep into loose flesh, full lips
my body all tense,
uncontrollable shivers and tremors,
another slash, the lips are gone,
a spurt, a splash
then the gush of running wet red spreads slowly,
and swells and swells, emptying me,
stunting me, marking and hurting.
The pain in my head stings, stuns and swells,
throbs banging,
pain plays discordant persistent jarring strokes,
hammering pounding,
my flesh now raw, red and ragged.
My sobs of pain and bewilderment
are drowned in the jubilant ululation of aunties
while mother looks on,
sharing my pain, not speaking,
lips trembling as I tremble, lips sealed,
recalling her own past and initiation,
an unwilling accomplice to a stubborn slow to die practice
that slashes, gores, gashes and stunts portions of life of the living
in keeping with the hollow voice of an outmoded moribund tradition.
A song of love and hope
Run your agile fingers gently through the tired strands on my head
Trace your sleek fingers softly across the soft surface of my heart
Move your tendered nails slowly across the tender folds of my soul,
softly stroke and massage the raw furrows of my mass,
run nimbly and softly across this feeble frail frame of mine
Many before you have been here
Many like you, your co-travelers
With their bright commercial smiles, their well tendered fingers,
their soft solid soles and sweet smooth lips have journeyed here,
and have traced patterns of calluses and circles of weeping weal
with the wheels of their fake forced love
on this anxious soft soul trapped in its eternal cycle of hope
this soul, a willing and wide canvas for the etches and sketches
of sojourners with agile fast grabbing fingers,
their sleek tongues and quick feet.
Careful now, my love,
Nwayo, jeje, hankali
careful now that you do not scratch too deeply
Careful now with the tracks,
with the deep, soft, raw and weeping red lines,
Careful with this frame, careful you do not break it
Gently as you speak, spin slowly your seamless tales
slowly softly stroke this heart lest you cause it to break and stroke
and remember to make me no promises
and show me no heights as I am now dizzy of heights
phobic of heights I fall from when smooth sailing parachutes take you away
as you glide gracefully away, leaving me ailing as you sail away
leaving me clutching at memories that run through my numb fingers,
spin me no new tales,
spawn no new hopes,
sell me no more of your new dreams,
dreams you and you co-travelers in and through me
drummed up with your clever eyes wide open
and mine shut in the soporific of all your tall tales
And when you go my love,
my resource excavator,
My gold digger, my strip miner,
when you have taken your fill
leave me gently, leave me carefully,
leave me hopeful not hopeless,
beaten, bitten, bent but not broken,
broke but not broken, used but not useless
Leave no sudden splashes of red and
let no new tell tale weal be your parting stroke
on this soft canvas of my soft soul,
on the drained and draining edifice of my person,
on the now raw and ravaged tottering frame with its red,
weeping and collapsed arteries,
Dying, slowly dying, I who am so anxious to live
I who placed so much hope on you,
Hope as high as the iroko tree
I who welcomed you with a fluttering heart,
with open arms and trembling limbs….
as I did with many others like and before you,
and will do, all in the hope that one day
before I breathe and heave my last
my true love will come through
and liberate me and liberate my potentials
and the plenty in me would then overflow,
and the greatness in me unleashed .
Noel Ihebuzor This is a love poem. It is a song of love and stubborn hope by a country for her sons and daughters who have systematically robbed and looted her with their sweet tongues, their rabid creed and poorly concealed kleptomania, and left her in tatters and tottering…yet she still hopes that one day, she will find true love, liberation and fulfillment. I mention no country and leave my reader to fill in the blank spaces.
Certain lines
We walk with sure confident steps on border lines
with assured steps on our frontiers of truths
Bravely stamping our correct feet on lines
where others tread softly,
where others weave with stumbling hesitant toes
on those gray hazy areas of life and living
Ageless angels, amused smile from above
at vain volubility, at clutchings and colonisations of truths and certainties
at manifestions of frailty disguised at strength
acts that separate the sage from the stupid
the clever from the crafty
the persistent from the pigheaded
the strong willed from the self willed
the steadfast from the obstinate
We do not fumble, we do not stumble
Others do
We walk straight and correct,
riding our high horses
on our moral high grounds
as we plod on in quest
often of uncertain certainties
revealing our core, our true essence
by the frequency and the duration of our swings and shuttles
to one side or the other of the border
by our predilection for certain points, our assured truths
by the constancy with which
we hold to the single light,
to our single right, guided by our perfect sights
to those truths which we see
and which million others fail to see
so miserably, so pitiably
Fading voice
You now dance like a drunken flame
in a broken earthenware pot
now sooty, nourished by a short weak wick
soaked in sleepy sludgy dreg palm oil
You zig and zag in vain
singing like an ogene with a cracked throat,
with a parched throat
like an ogene in pain
rusty and drunk
its voice dying…croaky and groggy, its timbre gone
Your voice now rough grates my ear drums ……
I hear your voice, fading and faint as if from a distance,
Cracked, crackle-less
fleeting and fading
as the distances between us increase,
even as you stand before me…..as I wonder what has really changed…
whether it is your song, or my ears, or the two of us.
Mind before body
The mind precedes the body
defying and defeating inertia faster than the physical
Spirit, liquid, the mind defies and denies physics
The mind pulls away before the body
furling back, recoiling, curling back,
blocking and blanking out, disconnecting,
once it disconnects, unlocks and disengages
the body limps around empty,
trailing on tottering feet, wobbly on jelly limbs,
trapped by recall habit , afraid, uncertain,
stuttering, stammering, hollow, hesitant
speaking as Judas must have
clutching and trying to drag any sleepy residuals
and left over emotions of the mind along,
often like an unwilling accomplice
to feasts with now impossible satiation and reconnection points.