Tag: Truth
Notes posing as poetry at 65
by
Noel Ihebuzor
If the road be straight
even those with ear and nose
dripping blue cold
like the exhaust hose
of a cooling system
Singers as Saints
By
Noel Ihebuzor
Ten hundred prayed for posts
Twenty pastors and thirty prophets
Prayed and brayed almost
Ten of the prayers, the preyed upon,
the prayed for, got the posts
And prayed on the post
Preyed on the people
All ten had juicy morsels
generously availed, padded
nine chewed their morsels and swallowed
morals mellowed, conscience shriveled,
cheeks blossomed and wardrobes overflowed
in a season of drought and bones
the tenth chewed and sucked,
till nought was left, save chaff and fibre
spat out, never swallowing
cheeks blossomed, morals mellowed
conscience in contraction
tongue active in denial
And she sweet sings herself
the beatification chorus for saints
I spat out and therefore am a saint
chew and swallow mean guilt
singing with a tongue that runs and rails
foams white and fumes
raw tongue running with serums of guile and rage,
shored up by fluids and anima
sucked out of now chaffed morsels
entrapped in self praise,
the singer forgets
that Mother Theresa
did not sing sainthood
to be sainted
If self praise is all it takes to be sainted,
then horses would be flying over low anthills
and praise singing themselves hoarse
to the thundering music of their noisy hoofs
rivaled by the grunting of pigs wearing cheap scents
rooting for sainthoods for cleanliness
Silence as guilt
By
Noel Ihebuzor
They grabbed him by his collar
dragged him to the ocean front
shouting, gesturing and swearing,
He was boxed on both ears,
his jaws, his chin, his ribs
were bashed, bruised, some broken
all the sins of the world,
all the failures were
heaped on him,
the “sealed” wombs,
every wasted wave,
all sterile flowers
all failed erections,
every flop, all power failures,
any incontinence….
they blamed on him
At the ocean front
The sky for their witness
They screamed at him,
they cursed him, they beat him
for their own weaknesses,
their failings and his
and yet he said nothing
and his silence
soon was their proof
For silence is guilt
Silence is complicity
was his silence smart?
Broken jaws lead to silence
The heavens remain silent
on the secrets of peoples
plants and planets
Does this silence,
then make them guilty,
complicit in our pains?
in this troubled world,
some plans are so twisted,
the waves sweep them
for safe keeping
to echoless silent chambers
where ageless mammy waters
moan day time half sated
when fortune hungry fishermen visit
and to whence they retire
to sleep all night
surrounded by winking periwinkles
when worn out,
without the hoped for fortune
and overworked
fooled fishermen return home to rest
their secrets carefully wrapped in silence
and concealed from their caring wives.
The snuff box choice
by
Noel Ihebuzor
Do not ask the Asaba woman
why she chose the snuff box
reasons are not always logical
the chooser knows best
and though saints shock us
by choosing to suffer, sadists believe
happiness awaits such a choice
Saints are not created by words
nor by fiat but by their works
Heroes are hailed not for their haste
but for their hard choices
Wizened eyes in the present
see shady pasts clearly,
and to such,
the present appears shady, unclear
Would saints sing the Asaba woman’s choice
as a sin, pure without any comma
or would their deep thoughts
judge her lightly as the victim
of a conscience that was in a coma
rationalisation potent as indignation
often bars the doors to truth,
shutters the windows,
sheds shady lights poorly to the realisation
that though choices are always personal,
choices are also always finally weighed
on a scale steeped in ethics
soaked in morals
Musings the day after
By
Noel Ihebuzor
when lies triumph over truth
& cheap trumps deep,
when shallow heels profound,
& cats are at the mercy of gropers
flee, my daughter, flee
fly, my daughter
the why of the lie
festers in the lair where lies the liar,
fast lips & slimy tongue crowding
the loud unrepentant mouth
when right is treated with levity,
& superficial is spun as profound,
noise drowns intellect,
asinine equations mistake
rectum for rectitude
lying tongues lie
in wait for the unwary
with syrups that dull-drowse
but rouse slippery rodents
of fear, hate, disdain of the other
A Song for the Naive
by
Noel Ihebuzor
I will laugh with the greenness
of young blades of corn
thrusting forward, green and bold
in a land where virgins are
two for a grand
and impotent randy men
roam wide spaces
in quest of unstable risings
Do you hear the whispers
of the blade of corn,
young and talkative
as it sways to share its secrets?
and sell its prophecy?
The secrets of the farm,
its short tales, of staggered truths,
tales of men with huge trumpets,
elepant egos and stiff backs
tales of the empty baba rigas
are not told on market days,
nor on farm days
songs of noisy plantings
the flapping and chatter of leaves,
empty but full of naivety….
an empty harvest follows
and the once wet song
soon turns dry, wilts and withers,
leaves, once green,
now brown, twisted dry,
now cry.
Jottings on Credibility and credulity
By
Noel A. Ihebuzor
- Credibility is a positive for the source; credulity is a negative for any audience.
- Credibility is a bit like virginity. Lose it and you have lost it!
- Credibility is asset. Draw down recklessly on it without replenishing and soon it runs out.
- Credibility is optimized in environments of high credulity.
- A celebrity uses her/his credibility to exploit the credulity of an uncritical public.
- Erroneous credulity is bad for any society.
- Losing one’s credulity is one key milestone in cognitive and emotional development.
- Celebrities are entitled to their personal opinions, but not all opinions are true!
- Name calling has a certain appeal but it still does not amount to a proof. Ask any lawyer!
The First Casualty in Any War is ….
By
Noel A. Ihebuzor
Aeschylus said that truth is the first casualty in any war. I disagree. Truths do not tell themselves. Truths are told by human beings. Lies, the antonym of truth, are also told by human beings. To tell a lie, a human being makes a first choice. That choice involves stilling the voice of conscience. It involves a deliberate choice to conceal the truth. It involves a deliberate choice to be dishonest. A deliberate choice to be dishonest implies the death of the human conscience. In any war, and at any of its phases, when men decide to tell lies and to raise the stature of lying, they are signaling that something – the human conscience – has already fallen casualty within them. The death of conscience then accelerates other deaths.
The first casualty in any war, indeed in any conflict, is therefore not the truth but the human conscience. The death of conscience then accelerates other deaths. Once the conscience dies, other deaths follow in quick succession and with depressing geometric progression. Conscience, ndo!
I look at Nigeria and marvel at the death of conscience in a number of persons who seek political offices. For such, democracy and elections are nothing else but conflict and war. I marvel at the same death in their agents and their supporters. I marvel at the volume of lies that are churned out and hurled in the direction of the public, all meant to deceive and to confuse…and I am filled with a strong sense of dread. God save us
A tribute for Dora Akunyili – written in 2007
By Noel Ihebuzor
Ezigbo Ada Anyi,
Strange that an internal UNICEF exchange on which you were copied allowed
me to get in touch with a lady whose tales of courage and care I have
heard but who I have not been privileged to meet in person as I have been
out of Nigeria for a bit now.
I have written a short poem for you to convey how I feel and to celebrate
this “meeting”.
written in a hurry, the poem is full of imperfections – but the intentions
are clean and should redeem these imperfections
Jisie ike – Chukwu ga na agba gi ume
Noel
=================================================================================
For Dora Akunyili
and to all like you
who care to dare
who dare to care
may your names be song forever in cadence of joy from the tops of iroko trees
may fame rightly gained grow and glow and blossom
till like a rainbow it embraces the entire sky
and lives are lightened and brightened by its bloom
and the boundaries of darkness eroded and rolled back by its ennobling beauty and brightness
long may your actions continue to be song
long and far and wide
on shores beyond seven rivers
beyond eight market days and nine hills will your story be told
Ada anyi, may your feat of courage conspire
with those of kindred spirits to inspire,
to loosen feet and consciences held down in lead
to refresh and renew souls, to reborn and restore values
so that a thousand like you in diverse callings in time
will emerge and converge
and redeem our country from its pain and shame
ogologo ndu, ezigbo ada anyi nwanyi
ihu na anya Chukwu, amara ya na ebere ya buru kwa nke gi
and may He renew you whose actions renew and revitalise
as He will to all who care, who care to dare and who dare to care.
========================================================================
Noel Ihebuzor, Chef du Programme Education, UNICEF DRC 8 nihebuzor@unicef.org, 8 noel.ihebuzor@gmail.com
Dora Akunyili <dnakunyili@yahoo.com>
To
Noel Ihebuzor <nihebuzor@unicef.org>
11/02/2007 01:30 PM
cc
Subject Re: Etteh: sheath not hard swords
Dear Noel,
Many thanks for your mail.
Best regards,
Dora Akunyili
Noel Ihebuzor <nihebuzor@unicef.org> wrote:
Poem 2
Sheath Not Hard Swords
Sheath not hard swords against the deceiver,
speak not hard words against a brethren/”sisthren”,
scatter not
let not gender strife
endanger a worthy cause,
for those who divide us,
divide their spoils without us,
behind our backs,
they enfold us in mists of myths,
in sweet coated slippery ideologies
of schisms and rifts,
let not the victims divide
let us be on course
for the time is ripe
tide is high
so, let us all roll with the tide
with the times
in the present
while we count time slowly like slow snails
may those who rip off our land,
not reap from our toils
may their shares in the end
be searing shame
and ours the gain and fame
of souls with clean hands
and clear singing hearts.
finished 0900 hours 02/11/2007 –
this second poem was an appeal for rallying round a good, cause particularly after Dora’s intentions were questioned and a good cause then faced the threat of being split and thus weakened by appeals to gender, religion and region! Naija sef!
